With the name “Time Capsule” we try to see the exhibition hall as a container to show artworks and to store the time people spent in this space. Telling Arts is going to welcome its fifth year. Through the “Time Capsule” we wish to bury the experimental and pioneering art, where they will wait for the opportunity to be discover again. Artworks depict the complicated pictures of our lives and leave the historical marks. We can not only understand memories in the past, but also the future through art works which are chosen and supported by people to make the operation of arts become a communication form while interacting and talking with future.

      “Time Capsule” displays the special work collection from ten subsidiary proxy artists in cooperation. The time they spent on creation is from 2013 to 2018. Creators arouse the resonance and self reflection by carrying the world view of themselves and presenting the times they are. The small potatoes in the images of Cai Ruei-Heng’s work “Small Swimming” develop various kinds of leisure or hysteric behaviors which are not related to solutions at all while facing the perplexity toward lives and their inabilities. Cindy Cheng I-Hsin’s long-term project “Living Andy Warhol” reflects and explores the aura in the visual images and the tracks of human(ity). Huang Chih-Cheng’s “Dream Wanderer” is a kind of continuance of "Feast” series. It is inspired by “Symposium” by Plato. Blood and muscles of human beings are combined with plants, and the souls will exist in samsara to protect and yearn for their partners. Miguel Angel Vargas catches the visible and invisible things through smoke, and his work “Kabuto” (Helmet) shows the inner spirit, firm strength and courage of art cultivators with the theme of war helmets of Japanese warriors. Shiu Sheng-Hung uses “Forest” as a metaphor among his landscape painting series to let separated life experiences meet here. Each landscape is a mark. It is left while interacting with different people at different time points. Wen Chia-Ning explores the interpretation of female roles in commercial images. Her work “Please Don't Eat the Babies” tries to question toward “beauty” and “gender roles” which are built by society value in hilarious way. Wen Meng-Yu makes private memories as the core of her creations and keeps daily things through paintings. She shows her thoughts toward objects which are left in this area. “Vacation” and “Rockabye”, these works of Wong Xiang-Yi show the obsession toward bathtubs, just like her original motives toward boys love. It can help herself to release the restraint and dissatisfaction from desires and body experiences. Wu Chien-Yi visited streets and collected environmental elements of old times, and then turns them into very important meanings and messages in her works. “Gojodori Window View Poem” arouses Taiwanese style homesickness which belongs to common people because of daily scenery and what times shows. They are formed by some periods of time, lights and shadows of window grilles. Otani Yuka’s work “Anicca” is formed by small sculpture of Buddha, mirror, and lighting equipment, and the media of narration is substance transformation of sugar. These things can be helpful to discuss daily life and impermanence, the past and the present, and the truth and the reappearance.